Attending events – especially those where a certain amount of networking and putting myself out there is required – is not without its anxieties. Then Covid added its own peculiar menace to being around people. I have to admit, therefore, it was with some trepidation that I set off for Harrogate and Theakston’s Crime Writing Festival on Saturday.
Luckily this year the sessions were in a large airy marquee and eating and drinking could be done outdoors, which allayed some of the fears. And I was able to meet with a couple of authors who I already knew, so that also helped.
I enjoyed the sessions I attended. ‘Experts Chortling’ brought together some of my favourites: (Baroness) Sue Black and Carla Valentine with psychologist Emma Kavanagh. They were joined by former police detective Graham Bartlett. As well as being a wellspring of interesting information, they were all very funny too.
By the time I got to the book shop Sue Black’s books had sold out. I am not surprised. She manages to make the business of death and the dead fascinating and entertaining without ever losing respect for those who have died. Plus, if you are a newbie crime writer, along with Unnatural Causes by Dr Richard Shepherd, Black’s books, interviews and documentaries are gold dust.
During the panel, Emma Kavanagh said crime writers were too often drawn to featuring characters traumatised by their pasts. What is more remarkable in reality, Kavanagh suggests, are the number of people who fall apart after trauma, and then show resilience, recovery and growth. It got me wondering where this might fit into a crime story.
The other afternoon session I went to was a discussion of the ‘future of the police procedural’. The panel was: AA Dhand; Jane Casey; Parker Bilal and Adam Lebor. All were clear on the duty of the crime writer to tackle difficult issues in a responsible way. Casey suggested crime authors are the ‘Rapid reaction squad of the literary world’ developing stories around current debates quicker than other writers.
Lebor said (as I have done in the past) that there are far too many young women who end up dead in the crime fiction genre. His series is set in Hungary and has a detective from the gypsy community (apparently ‘gypsy’ is the term used by the peoples themselves in this country). It has plenty of scope for exploring the lives of refugees, as well as the prejudices against the Roma.
They all characterised their protagonists as ‘lone wolfs’, especially AA Dhand’s Harry Virdee who the author likened to a gothic comic book hero (not my taste at all and I realised why I had never taken to his books). With my Donna Morris mysteries, I have gone in the other direction. Donna is definitely not a maverick and she needs the team, just as they need her (though she struggles to properly comprehend this). The relationships between the police officers are something which has been praised by some readers. I hoping the future of the police procedural includes space for a team player.
After paying £4.35 for a cup of tea (yes!!) and spending more than I would care to mention on books, I wended my way home. A shout out to Northern and Transpennine Express whose staff were friendly and whose trains were on time, comfortable, clean and not too busy.
Have any of you some good memories of literary festivals you would like to share?