Tag Archives: indie publishing

‘Made-up truth’ by Jane Davis

JD compressedThe main protagonist in Jane Davis’s latest release is Lucy Forrester, a political poet and activist. Anti-establishment all her life, she is horrified to find herself nominated for a New Year’s Honours. Her inclination is to turn it down. But what if it’s an opportunity…

Jane’s author biography says that her favourite description of fiction is ‘made-up truth’. In fact, she has admitted to me that she makes up very little. When she writes a character, she wants you to believe that they existed, and that means parachuting them in a particular landscape at a particular point in time, often with real-life characters. “If it doesn’t feel authentic, then I’ve failed.” Research, then, is the key. And while Jane’s fiction may not fall under strict definitions of historical fiction, she has made the recent past her speciality.

One of the key decisions she needed to make when writing about her poet-activist was the cause she would claim as her own. In fact, the answer became obvious. Born in the 1940s, Lucy Forrester’s only early memories were of war. Fear of the Nuclear Bomb was a hangover from childhood. Talk of a third world war – the war to end all wars – permeated her adolescence. Bring her governess Pamela into the equation, a young woman who was prepared to take a stand, and, of course, Lucy was interested. Watching footage of Rod Stewart taking part in the first of the CND rallies and marches from Trafalgar Square to Aldermaston brought it all together. She had no trouble imagining Lucy Forrester there, at the centre of it all.

“It is 1958,” Jane explains. “Six years after American scientists finished gathering data on radiation sickness at the Atomic Bomb Casualty Commission in Hiroshima. It is supposedly a time of peace, but thoughts have once again turned to war. Imagine being eighteen years old, shipped to Christmas Island on National Service. It is the furthest you have ever strayed from home. Your job? To stand on a white sandy beach and observe as scientists detonate nuclear bombs over the Central Pacific. No protective clothing is issued. At the signal, you must turn away and cover your eyes with your hands. When the flash goes off, you see your veins, your skin tissue, your bones, and through it all, diamond white, a second sun.

Around 22,000 servicemen performed similar roles. Some suffered radiation sickness immediately, and some died. For others, symptoms followed patterns seen in Hiroshima. TheyJDV-MCS2016-Clays-02 lost their appetites and ran high fevers. Their hair fell out in clumps. Others still appeared to be well for decades before developing cancers and other rare diseases. It was only over time that dots were joined, convincing some veterans that their illnesses and disabilities were caused by nuclear radiation. Up until 1999, the veterans had repeatedly run into brick walls in the bid to have their claims recognised. Largely ignored, dwindling in numbers, the veterans referred to themselves as ‘ghosts’.

Then researcher Sue Rabbitt Roff of the University of Dundee tracked down 2,500 veterans and their families, finding unusually high rates of infertility and birth defects. This was the trigger. The columnist Richard Stott (1943 – 2007) of the Sunday Mirror launched his Justice for Nuke Vets campaign. I was 32 in 1999, not a distracted teenager. But if I saw the reports, I’m ashamed to admit I have no recollection of them. And I wasn’t the only one. Others with far more direct links to Christmas Island had also missed the reports. Of the relatively small group of beta readers I use for initial feedback on my early drafts, three confided that fathers or grandfathers had been on Christmas Island. None of the men liked to speak about the experience. It was over and done with. It seems unlikely, then, that they would have mentioned it to doctors. All died prematurely, all of cancer. Up until the time my beta readers had read my book, no one had made any connections. Now the explanation seemed obvious. In 2014, researching my novel, it became clear that the Atomic Veteran’s cause was one Lucy Forrester would have thrown herself behind.

The Ministry of Defence continued to insist on more proof. It wasn’t until 2007 that two scientific studies demonstrated clear links. What’s more, they also estimated that genetic birth defects would last for 20 generations – in other words, 500 years.

The remaining 700 New Zealand and UK veterans launched a class action against the British government claiming damages of NZ $36 million. But the MoD countered with a statute of limitations defence. It had happened 50 years ago. Following a parliamentary inquiry in early 2008, the government agreed to fund new studies into veterans’ health, and to pay interim compensation of £4,000 each.

By the time I completed my research, £25million (£5million a year over five years) had been set aside for an Aged Veterans’ Fund. But this wasn’t just for the Atomic Veterans. There are approximately two million qualifying veterans. In addition to applications from individuals, the British Nuclear Veterans’ Association (BNTVA), the premier charity representing those who have worked alongside radioactive material for the benefit of the nation, can apply for funding for projects such as respite care or counselling. Whilst such services may benefit the families of the Atomic Veterans, once the remaining veterans die, funding will cease. Without an admission of negligence from the MoD, there will be no help for the next 20 generations.

Many Atomic Veterans are proud to have served their country. However, given that the risks of exposure to radiation were either known or reasonably foreseeable, they had every right to expect to be taken care of if things went wrong. They couldn’t have imagined that the British government would introduce a higher burden of proof than other governments, so that their American counterparts received compensation while they were denied. It shouldn’t be left to the Prime Minister of Fiji to step in and award each surviving veteran three thousand pounds, saying, ‘Fiji is not prepared to wait for Britain to do the right thing.’ With Trident back in the headlines, I hope this issue will surface once more.”

You can find out more about the Atomic Veterans or make a donation here.

Jane Davis s the author of seven novels. Her debut, Half-truths and White Lies, won the Daily Mail First Novel Award, and The Bookseller featured her in their ‘One to Watch’ section. Six further novels have earned her a loyal fan base and wide-spread praise. Her 2016 novel, An Unknown Woman, won Writing Magazine’s Self-Published Book of the Year Award. Compulsion Reads describe her as ‘a phenomenal writer whose ability to create well-rounded characters that are easy to relate to feels effortless.’ Her favourite description of fiction is ‘made-up truth’.

JD Red compressedWhen Jane is not writing, you may spot her disappearing up the side of a mountain with a camera in hand.

You can also find Jane Davis on Facebook, on Twitter, on Google Plus, on Pinterest, and on Goodreads, as well as on her Amazon author page.

Anyone who signs up to Jane’s newsletter receives a free copy of her novel, I Stopped Time. Jane promises not to bombard subscribers with junk. She only issues a newsletter when she has something genuinely newsworthy to report.

 My Counterfeit Self was published October 1, 2016, and available in paperback and eBook formats.

 

 

Five Tips for Writing a Series by Kate M Colby

I am very happy to welcome the author Kate M Colby to my blog with her tips for writing a novel series. Her new novel, The Courtesan’s Avenger, is out now: www.katemcolby.com/books  Over to you Kate Colby…

Kate C photo Oct15I’ve always had difficulty thinking “small.” In school, I was the kid with good grades, a dozen extra-curricular activities, a part-time job, and a dedication to an outside sport. At my day job, I’m the person who always accepts extra projects or offers to help someone who is overworked. Why? I want to do it all.

The same goes for my writing. When I set out to write The Cogsmith’s Daughter, I knew one novel wouldn’t be enough. I loved the world and characters I had created. I couldn’t spend 90,000 words with them then just leave, never to return. No. Even though I had never written a novel before, I couldn’t start with one. I decided to start with six. And the Desertera series was born.

This week, the second novel in the series, The Courtesan’s Avenger, hits the virtual shelves. With two books under my belt, I’ve learned a lot about myself as a writer – and about the unique challenges of writing a series. Whether you have an idea too big for one book, want to revisit the characters and world you created, or are trying to build a dedicated audience (Full disclosure: this is one of my main motives, too!), writing a series is an admirable task. As a writer, you’ll have to figure out your own process. In all honesty, I’m still learning mine. But here are a few tips I can offer now that I have finished my second book:

Plan Ahead
If you know at the beginning of a project that it will become a series, do yourself a favor and plan ahead. First and foremost, consider the series’ arc. What journey are your characters taking? What important milestones must they reach along the way? How much will they change as individuals? Try to plan how many novels you’ll need to accomplish these goals, as well as what big plot points will be covered in each novel. But of course, leave room for surprises and twists – you never know when your characters will take the wheel!

Now, some of you may not be interested in thinking about publishing (or in independent publishing specifically), so feel free to skip this paragraph. However, if you are intending to independently publish your series, remember to think ahead to future books as you publish. For example, you’ll likely want the cover designs to coordinate. When you design your first book’s cover, ask yourself whether its design elements can be tweaked for future covers. You’ll want to make the same considerations for formatting, book descriptions, graphic designs for advertising, etc.

Beware the pros and cons
Writing a series is “easier” than writing several stand-alone novels, because you do most of theThe Cogsmith's Daughter - Ebook Small “leg work” with the first book. It will establish the world, characters, rules, and themes. In the subsequent novels, you can focus on the story and adding more depth to the previously established elements. At the same time, writing a series contains a lot of pitfalls. You must keep details consistent – not only the color of the protagonist’s hair, but also her speech patterns, basic values, memories, etc. My advice?

Keep a record
After I finish each novel, I collect important details in my “Desertera bible.” This is a Scrivener document where I track the main events on a timeline, record when and where I introduce characters, create character profiles, and more. If I forget what furniture is in a room while I’m writing the next book, I can simply open the document and refer to the setting description. It’s a lot easier than rifling through my paperbacks or doing a CTRL+F in my ebook files.

Don’t be afraid to experiment
Writing a series doesn’t mean that all the books have to be the same. You can write them from different characters’ perspectives (I do!), jump forward or backward in time, incorporate a new subgenre in the plot. My first book has a romance subplot, while my second contains elements of a cozy mystery. Or anything else you can imagine. As long as you stay true to the heart of your series – main genre, authorial voice, key themes, and characters – you can dress it up however you like.

Make an escape hatch
Writing a series is fun … until it’s not. Maybe you’ll fall out of love with the characters. Maybe you’ll get sick of the genre or run out of ideas. Maybe your readers won’t like the books or sales won’t justify continuing the project. Whatever the reason, allow yourself an escape hatch. Brainstorm a way to give your series a satisfactory, premature ending ­in case you need to cut the arc short. No one likes to think about “failing” or “giving up,” but it’s practical to consider. And, on a psychological level, I’ve found it really helps me to know that I could end my series at any time. When I feel like I’m actively choosing to continue a series (rather than writing it purely out of obligation to finish it), I find I’m more positive and creative than when I feel trapped.

perf5.250x8.000.inddMost of all, remember to have fun with your series. You’re writing not one, not two, but several books. Just by attempting such a project, you’re already leaps and bounds ahead of so many writers out there. Take pride in each milestone and keep your eyes on the final prize. You’ve got this!

For more writing and publishing tips, follow my blog at: www.katemcolby.com/blog

If you’re a sci-fi/fantasy fan, or simply want to see how I’m tacking my Desertera series, check out my books at: www.katemcolby.com/books

The Cogsmith’s Daughter, Desertera #1: https://goo.gl/WY2Lsr

The Courtesan’s Avenger, Desertera #2: https://goo.gl/PEUpp2

 

And the adventure continues

pccloudThis Autumn I will be indie publishing my third novel, The Art of Breathing, as well as re-launching The Art of the Imperfect and The Art of Survival with new covers. The three form the beginning of a crime series set in Scarborough which (among other things) explores themes around mental wellbeing and surviving childhood trauma.

To be honest, this is not my favourite part of the process. The manuscript being sent off to the proofreader, I am in the middle of: formatting for createspace, kindle and a local print run; liaising with cover designer and printer; ‘organising’ (begging for) reviews, guest blog posts and events; and re-vamping my website. I’m not saying none of it is fun or enthralling, but a lot of it is a bit of a grind, especially the marketing side. Having now indie published two novels, I know effort does not equal outcome when it comes to promotion. There is a whole lot of luck and who you know involved. I am trying to be more targeted and canny about it this time around, even so it is tough to remain motivated.

I read recently an article about mental resilience. This suggested that people with a good balance of optimism and realism are more likely to be mentally resilient. It also said that mentally resilient people do not feel an entitlement. On the other hand, it seems to me that there is a strong societal script out there which goes something like: ‘If you try hard enough, you can achieve anything.’ It appears to me, this narrative is undermining of what are apparently factors in building mental resilience. In reality, the vast majority of us will be ‘also ran’s and, even if we work hard and throw our whole heart into a project, this does not entitle us to any particular result.

I have begun to volunteer a couple of hours a week at my local library and I was also asked by a friend to vote for her book on The Guardian’s ‘not the booker list’. Well done to Anna Chilvers Tainted Love for getting on there and look out for an interview with her on this blog on the 22nd of August. What I have come to realise (even more than I did before) is that there are an awful lot of books out there, a lot published by traditional publishers and a lot I haven’t heard of, despite being an avid reader. It is, perhaps, hardly surprising that my books have hardly made an impression.

Why should I want sales? It’s not about the selling/money as such, it is about reaching readers. And I love to talk about my writing with those who have read it… so if you have, please feel free to get in touch. The stories told in my three novels are very important to me, yes I want them ‘heard’ but I also hope they may help others have a greater understanding and/or feel more signposts‘normal’.

I have written three books I am proud of and by the October they will all have gorgeous covers. Celebrate that with me, but please don’t ever ask my about my sales.

How do you keep motivated? What is it about writing which makes it important for you to keep going?

Author Interview: Anne Goodwin

AG at jesmond

Anne Goodwin at her launch, Jesmond 2015

It is a year since author, Anne Goodwin, published her debut novel, Sugar and Snails. An intriguing novel which explores the sense of being different and feeling not quite right in one’s skin. I am delighted to welcome her as today’s interviewee and to catch her during her anniversary tour.

Anne Goodwin loves fiction for the freedom to contradict herself. Her debut novel, Sugar and Snails, about a woman who has kept her past identity a secret for thirty years, was published in July 2015 by Inspired Quill and longlisted for the 2016 Polari First Book Prize. Her second novel, Underneath, about a man who keeps a woman captive in his cellar, is scheduled for May 2017. Anne is also a book blogger, author of over 60 published short stories and was recently awarded First Prize in the Writers’ Bureau short story competition.

What are you currently working on?
I’m working on the edits of Underneath and trying to get to grips with the second draft of what I hope to be my third novel, Closure, about lives wasted through psychiatric incarceration.

What has inspired your most recent novel?
Sugar and Snails emerged from a strange interaction between my response to a newspaper report about a distinguished academic who died of anorexia without anyone in her immediate circle being aware of her difficulties; questions about gender fluidity and my attempts to reconcile myself to my own traumatic adolescence. Underneath stems from my academic and personal interest in attachment, and particularly the terror of being totally dependent on someone who is unreliable. Closure builds on my interest in family secrets and on my first job as a qualified clinical psychologist as part of a team tasked with resettling long term psychiatric patients to the community.

How much do you think fiction intertwines with real life?
I live so much in the fictional world, I’m not sure I can separate them! It’s something I continually puzzle about, but I think a lot of my fiction starts with my own experience of the world as I see it. Yet, both for my own privacy and because, as a reader, I prefer a gap between author and narrator, I don’t want that link to show. If your writing has deep emotional resonance, which is something I aim for, it’s highly likely to connect with themes that interest, energise and disturb you in “real life”. But I’d like that to occur on the level of metaphor, rather than in the nuts and bolts of the writing.

Any tips to aspiring writers?
After a blog post questioning the creative writing industry, I’m loath to advise others on how to write. However, Sugar and Snails has taught me a few things about writing about diversity and on crafting the awkward character which I’m happy to pass on (via the links).

Another thing I’ve learnt, and am still learning, is that when there’s a choice – be it regarding character, plot or use of language – go for the simpler option. The best piece of advice I got regarding my novel, Sugar and Snails, was to cut two of the three point of view voices. As a book blogger, I read too many debuts that would have been better had the author had been less ambitious. It’s very hard as a novice writer, as we are trying to distinguish ourselves and impress, but I’m increasingly discovering that less is more in this business.

How would you describe your writing process?
I like to play with the ideas in my head for as long as I can, be that hours, days or months, before committing anything to page or screen. The benefits of playing with the ideas seem to outweigh the risks of losing a good idea. I start to write when my thoughts are overwhelming and I have sufficient space to channel them, uninterrupted, onto the screen. I’m not a planner, and I like to take my time. However, last winter, partly inspired by National Novel Writing Month, I surprised myself by producing a fast first draft. It hasn’t altered my overall approach, but it was a bit of a revelation that I could keep going at an average of a thousand words a day.

In terms of the mechanics, I’m proud that my mother taught me to type the quick brown fox runs over the lazy dog way, using all fingers and thumbs of both hands. But too many dissertations left me with repetitive strain injury, so now I type by voice. The manufacturers claim their voice recognition software is faster than typing but, until they produce a version perfectly attuned to my Cumbrian vowels, I have to disagree.

What helps you to write/what gets in the way?
I have the usual love-hate relationship with social media, especially Twitter, through which I’ve gained the support of lots of lovely fellow-writers, as well as a few book sales, but it does eat time. Bad weather that keeps me indoors is helpful – although I can go a bit stir crazy if I don’t get out for a walk.

What kind of research do you do & how do you go about it?
I’m a lazy researcher, and tend to write about topics I already know something about, just checking facts and details on the internet. Also, my husband is the kind of person who knows all those obscure facts that come up in pub quizzes, so I often ask him. I’ve also recently taken to asking Twitter for answers to factual questions; you get a great sense of the supportive community when someone comes back with exactly what you need to know.

AGfull cover (2)Please say something about your publishing journey.
I’m published by a small press, Inspired Quill, which has worked well for me. I have a post on Writers and Artists website advising others considering that route to learn about self-publishing; not to be afraid to ask questions of the publisher; negotiate a contract; and be realistic about the limitations of what the publisher can do.

What’s the scariest thing you’ve done to promote your work?
An interview for Bay TV Liverpool, which has recently been broadcast: https://www.youtube.com/watch?v=rAnBqfEIGmc&feature=youtu.be. It was the first time I’d ever been filmed for TV, yet only ten days later I was involved in some filming for an event in the Peak District where I volunteer.

How can readers find you and learn more about your writing?

My next event is at The Bakewell Bookshop, Derbyshire, on 6 August 2016.

Catch up on my website: annethology blog Annecdotal or on Twitter @Annecdotist.

Goodreads https://www.goodreads.com/author/show/14157781.Anne_Goodwin

In honour of its first birthday, Sugar and Snails is available in Kindle format at only £0.99 / $0.99 until 31 July 2016.

Amazon.com http://www.amazon.com/Sugar-Snails-Anne-Goodwin/dp/1908600470/

Amazon UK http://www.amazon.co.uk/Sugar-Snails-Anne-Goodwin/dp/1908600470/

Author Interview: Kate M Colby – comes with free gift attached.

Kate C photo Oct15In honour of American Independence Day, I am thrilled to welcome writer Kate M. Colby to my blog. I have made some of my journey to being an ‘indie’ publisher alongside Kate and I have found her knowledgeable and inspiring, as well as a skilled writer. Her advice and encouragement has always been spot on. It’s great then, that, as an added bonus, her 100 Fantasy Writing Prompts (Fiction Ideas Vol. 4) is FREE today, download it here: http://hyperurl.co/adq1ul

Kate M. Colby is an author of science fiction, fantasy, and nonfiction. Her first series, Desertera, consists of steampunk fantasy novels with themes of socio-economic disparity, self-empowerment, romance, and revenge. Kate’s writing contains everything she loves about fiction imaginative new worlds (the more apocalyptic the better), plots that get your heart racing, and themes that make you think. She holds a Bachelor of Arts in English Literature, Creative Writing, and Sociology from Baker University, which she uses to marry her love of the written word with her passion for the human experience.

When she is not writing or working, Kate enjoys playing video games, antiquing, and wine tasting. She lives in the United States with her husband and furry children.

What are you currently working on?
Currently, I am working on two projects. The first is the sequel to my debut novel, The Cogsmith’s Daughter, to be published in early September. The second project on my docket is a series of nonfiction booklets, written for aspiring writers. Each booklet contains 100 creative writing prompts and each one focuses on a different genre of fiction. There will be 10 in total, to make a collection of 1,000 genre fiction writing prompts. Thus far, I have seven of the 10 volumes complete.

What has inspired your most recent novel/writing?
My first novel, The Cogsmith’s Daughter, focuses on the theme of revenge. In it, my protagonist showed she would do anything for “justice,” and never questioned the righteousness of her path. In the sequel, I’ll be diving deeper into the nuances of justice. When my new protagonist takes on the role of avenger, she seeks true justice, not merely her own definition of the term, and she constantly questions the righteousness of her actions. I think readers will enjoy the contrast in how these two women approach similar problems.

My nonfiction project is inspired by my desire to give something back to the writing community. As I move forward in my career as an independent author, I hope to leave a trail of virtual breadcrumbs behind, so that others who share my goals have a resource to follow. Right now, what I can give back is inspiration and motivation, in the form of creative writing prompts. Down the road, I hope to provide more information about the publishing process, marketing, and creating and running a successful business.

How much do you think fiction intertwines with real life?
I think how much fiction intertwines with real life depends on the imagination and empathetic The Cogsmith's Daughter - Ebook Smallability of the reader. For example, The Cogsmith’s Daughter takes place in a post-apocalyptic desert wasteland. Some readers will look at that and think, “Wow, this has nothing to do with reality. It’s so crazy!” Whereas others will look beyond the surface level and see that the themes explored and the experiences of the characters are parallel to those we in “reality” undergo every day. For me, personally, I see fiction as completely intertwined with real life. Fiction is a reflection of reality, a way of revealing truths, even ugly ones, in an artistic form that makes them easier to swallow and accept.

Could you give five tips on how to tackle either characterisation or plotting or dialogue or descriptive passages?
I’ll give you one for each!
Characterization: Make a point of giving your character a flaw. Perfect characters are boring and unrealistic. One of my protagonist’s flaws is that she can get tunnel vision when striving for a goal and miss things that others see as obvious.

Plotting: Start with your three big points: beginning, middle, and end. Where is your character starting? What is the end goal? And what is one thing that must happen for her to reach her goal? Once you have those figured out, fill in the gaps.

Dialogue: Learn to convey each of your character’s unique voices. Some ways to do this are: varying sentence length (some people are more long-winded than others), varying vocabulary levels, and using curse words judiciously.

Descriptive passages: Study poetry. Seriously. I give my poetry classes full credit for my descriptive fiction writing. It’ll teach you how to incorporate sound into your writing and how to make your thoughts flow into each other organically. My readers will probably notice that I do a lot of flowing where others would inject an “and.”

My best tip: End your chapters on a high note. This can be a cliffhanger, witty line of dialogue, or dramatic realization. Either way, it will keep your readers turning the page. Many of my readers have said that they couldn’t put my book down. That isn’t a coincidence – it’s a design.

How would you describe your writing process?
I’m not sure that I really have a “writing process,” but I can tell you how a writing session typically goes. Basically, all I do is schedule a time for myself to write each day. Most days, I have to adjust the time because life gets in the way. Leading up to a writing session, I mentally plan out what needs to happen in the scene. Then, when I sit down at the computer, I write until I reach my goal, whether it be a set word count or the end of a chapter. I try my hardest to just let the words flow and not self-edit. If I think of something I should change later, I make a note in the sidebar and keep going. I also like to write in silence to minimize distractions.

What helps you to write/what gets in the way?
There are two things that help me write. First, I feel obligation very strongly. If I set a deadline for myself, I can usually guilt myself into meeting it. Second, my husband is really supportive, and he’s also great at being my drill sergeant when I need it.

What gets in the way of writing? Is everything an answer? Procrastination, exhaustion at the end of a 12 hour work day, our Netflix account. One thing I’m learning is that the world is REALLY good at sabotaging your writing, and you’ve got to fiercely protect your writing time.

What kind of research do you do & how do you go about it?
Honestly, I really dislike doing research. It’s one of the many reasons why I write science fiction and fantasy – if I make up my own world, I don’t have to research it! However, there are a few things that I have to research, mostly related to the steampunk gadgets in my world and the steamship. For these, I read articles on the internet and browse through books at the library until I find what I need. Personally, I’m much more interested in “aesthetic” research to help my descriptive powers, and this I do almost entirely on Pinterest.

Why did you choose the ‘indie’ route? What are your five tips for would-be indie authors? What are the pros & cons to indie publishing?
Oh, boy. These are big questions. I’ve written on all of these at length, so anyone who is interested in more information can check out my website. I’ll try to keep it brief here. I chose to be independently published for several reasons. One, I believe readers are the only valid gatekeepers and determiners of a book’s worth. Two, I believe the royalties paid by publishing companies are unfairly low. Three, I want full creative control of my work.

The pros of indie publishing line up with my reasons for doing it. The cons are: you have to invest your own money upfront, you have to market yourself in the ocean of Amazon and the internet, and you will still face stigma from the larger publishing industry and others you encounter on your journey.

My tips for indie authors:
At first, think of publishing as a hobby. I don’t mean that you shouldn’t take your writing seriously. I mean, you’re going to be sinking a decent amount of money into a passion project that may never pay you back. And that’s what a hobby is. You buy a fishing pole or a room full of scrapbooking equipment, and it only pays you back with enjoyment and pride. That’s what the beginning of your career will be like.

Do everything right the first time. Shell out the money for professional editing and cover design. Make connections, formulate a marketing plan. First impressions are everything, and some readers (and other authors) will write you off from the beginning if you look like an amateur or someone seeking a quick buck.

That being said, don’t be afraid to upgrade later. Sometimes, you’ve got to cut corners just to get your book out. If that’s the case, don’t be scared to go back and rewrite, hire an editor, or change the cover. The biggest benefit of indie publishing is that you are never locked into anything. You can always grow and adapt as time goes on. You are free to be better without restrictions.

Make connections. Do this by blogging, participating in forums, or joining online communities. Get a solid group of indie author friends around you and help each other. Everyone says the indie community is so much more helpful and supportive than the traditional publishing world, and it’s true. But it won’t stay true unless we all hold to that spirit.

Be proud. If you decide to indie publish, don’t feed into the stigma. When someone asks you who your publisher is (and they will, even if they cannot name a single publisher themselves), be confident. Say, “I started my own company and am handling the book production process myself.” It’s a huge accomplishment and you should feel happy to share about it. If you’re ashamed to admit you’re indie published, you’ve chosen the wrong publishing path.

When did you start calling yourself a writer? An author?
For the longest time, I called myself an aspiring writer. For a while, this was accurate, as I did more whining about writing than actual writing. I didn’t begin calling myself a writer until I started my blog and fully dedicated myself to writing my first novel. I didn’t use the term author until I had completed (not published, just finished) my first novel. And even today, a little nagging voice in the back of my mind says I’m a fraud – even though I know I’m not.

This is what irritates me about writers (myself included): so many of us are afraid to call ourselves writers! Listen up, people: language is free. You can call yourself whatever you want. If you feel a passion to write, if you express yourself best through language, if you maintain a blog or a journal or scribble poetry on grocery receipts, you are a writer. No one’s going to write “PHONY!” all over your corner of the internet. Embrace the label and get on with your creative life!

Where can people find you & your books?

Website – http://katemcolby.com

Amazon (all countries) – http://www.amazon.com/gp/product/0996782508?keywords=the%20cogsmith%27s%20daughter&qid=1454458705&ref_=sr_1_1&sr=8-1

Barnes and Noble – http://www.barnesandnoble.com/w/the-cogsmiths-daughter-kate-m-colby/1122713259?ean=2940152250190

Kobo – https://store.kobobooks.com/en-us/ebook/the-cogsmith-s-daughter-desertera-1

iBooks – https://itunes.apple.com/us/book/cogsmiths-daughter-desertera/id1043808485?mt=11

Smashwords – https://www.smashwords.com/books/view/580266

Goodreads – https://www.goodreads.com/book/show/26499463-the-cogsmith-s-daughter

Facebook – https://www.facebook.com/AuthorKateMColby
Twitter – https://twitter.com/KateMColby
Goodreads – https://www.goodreads.com/KateMColby
Instagram – https://www.instagram.com/KateMColby
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A Writer’s Life – spinning hats, again

writer at work june 15 001I have completed the re-writes for my third crime novel based in Scarborough, The Art of Breathing. It has gone through various drafts each time commented on by writing friends Lesley, Kate and Felix, then Felix did a final go through to make sure the plot held together as a whole. I am very grateful for this support, as an indie, I certainly could not keep moving forward without it. I also had comments back from a small press I submitted the manuscript to. Along with their rejection, they included a couple of pages of my work annotated by their ‘reader’, which is very decent of them. My confidence in the observations did wane somewhat, however, when a question was raised over whether a university would have a bar? Hello?!

So now I spin hats, the writer has to make way for the indie publisher.

The Art of Breathing is booked in with a copywriter in June and then a proofreader in July. Hopefully the final version should be ready by the end of August. I have decided to re-package my three books – The Art of the Imperfect (https://goo.gl/JrGat2); The Art of Survival (https://goo.gl/6RPzk5) and The Art of Breathing – as a trilogy which I will launch in the Autumn. The three are stand-alone in the sense that there is a different discrete crime story in both, but they are tied into a trilogy because of the on-going narrative of one of the characters, Hannah.Art of Survival Coverfront onlyfinal There is a lot to think about and get right, for example: covers; formatting (different formats for the three methods of publication I will use); print runs; mobilising reviews/reviewers; perhaps a new website… I make lists, endless lists.

The Art of… trilogy is part of an on-going crime series and already novel four is beginning to ferment in my imagination. It will take the characters’ stories several years forward and will be based around the fishing community and themes of environmentalism. I am wondering about breaking away from The Art of… title. I’ve come up with The Photograph or The Girl in the Photograph – though maybe I am too late to jump on the Gone Girl bandwagon?

How do you come up with the titles of your novels, stories or poems?

 

Author interviews – Jaq Hazell

Jaq HazellI am thrilled to host Jaq Hazell on my blog today. Her novel, I came to Find a Girl, is a disturbing and gripping psychologically-minded story which I can highly recommend. Jaq writes crime fiction and contemporary short stories, as well as children’s fiction and YA. She has been shortlisted for the Jane Austen Short Story Award and the Virginia Prize for Fiction, and she has an MA in Creative Writing from Royal Holloway, University of London. Born near Portsmouth, on the south coast of England, her first full-time job was at Buckingham Palace. She has also worked as a humorous greetings cards designer and a journalist. She lives in London. 

What are you currently working on?
I’m at the thinking stage of a new project. I know what it’s about and that it’s a romantic thriller set in London and Mumbai, but I’m yet to work out where it starts.

What has inspired your most recent novel?
I Came to Find a Girl is a psychological thriller that was inspired by a desire to look at the dark side of what it’s like to be a young, single woman in an urban environment – the other side of Sex & the City/Bridget Jones’s Diary, if you like – and the reality that there is a downside to sexual freedom and that we have to look out for ourselves.

How much do you think fiction intertwines with real life?
There is always an element of real life in everything I write. Sometimes it will be a small observation, something I’ve noticed while out walking or something I’ve overheard, while at other times it may be more fundamental. Three out of twenty-one stories in my collection London Tsunami are autobiographical. As far as I Came to Find a Girl is concerned, I have used the rundown house I lived in whilst I was a student in Nottingham, my experience of club culture and combined that with a ‘what if scenario’ that had fictionalised everything.

Five Tips on Plotting

  • Remember that your protagonist must want something.
  • Treat your first-draft as if you are laying out all the crucial elements necessary to build your story. At this point, do not expect them to be in the right dramatic order.
  • There’s a good chance that your beginning will not claim its rightful place until you have completed your first-draft.
  • If you are stuck and you don’t know what happens next, take time out to think. Perhaps you haven’t made enough decisions about your characters and their circumstances. The answer is always within you, the writer.
  • Expect to undertake numerous rewrites. Leave the script alone for as long as you can so that when you read it afresh it is as if someone else wrote it. At this stage any holes in the plot should become apparent. Don’t worry, you can make it work.

How would you describe your writing process?
Routine is key, and during the crucial first-draft stage I work six days out of seven as a two-day weekend break is too long – you lose the momentum and it takes too long to regain the flow. I walk my dog, write (with a brief break for lunch) until my kids return, and then I take the dog out again. It sounds dull, but a quiet life is good for writing and productivity. 

What helps you to write/what gets in the way?
When it comes to writing, the best thing you can do is sit at your desk (or wherever) on a regular basis and write for a few hours a day. Life gets in the way for everyone: ignore your other half, the kids, the housework, social media (for a few hours a day anyway), and the words will come. 

What kind of research do you do and how do you go about it?
I research as I go along but not in an in-depth way. I find it’s best to get the story down and check the facts later. Too much research is a dangerous thing as there is a temptation to put in more information than necessary and that can slow the narrative. Research for me is mainly via the internet and I also like to visit all the locations I write about. 

Why did you choose indie publishing? Top tips and pros and cons.
I Came to Find a Girl has been independently published. Murder sells, and there are murders in this novel, but the crime that is at its core is date rape. It is not described and there is no graphic or gratuitous detail, but this is a subject that publishers are wary of, while I think it is important to address difficult issues in fiction. 

Five Tips for Indie Authors

  • Make sure that your final edit is the best it can be. You will be judged against traditionally published books with no allowances made.
  • Hire an editor. You cannot edit yourself, you will miss errors however careful you are.
  • Get a professional book cover designed. Again, you are competing with all publishers.
  • Plan your promotional strategy. Contact book bloggers at least three months in advance so that they can include your novel in their busy schedules.
  • Don’t tell anyone you are self-published.

Pros and cons to indie publishing
Indie publishing is a challenge and it’s exciting. You have full control over your work and how it I came to find a girlis presented. However, you have to do everything yourself, there are costs involved, and it’s time consuming, leaving you with less time to write new novels.

The question you wished I’d asked you?
Do you think Amazon should give equal opportunities to indie authors, allowing them to choose numerous categories for their novels as traditional publishers are able to do?

How can readers find out more about your and your work?

https://jaqhazell.com/

I Came to Find a Girl on Amazon: https://goo.gl/1YZIy4

London Tsunami & Other Stories on Amazon: https://goo.gl/7L04eI

JaqHazell on Facebook & @jaqhazell on Twitter

The Indie Book Blog Tour In Full

We’ve had a great tour this year with some fascinating interviews… Thank you to my co-host the fantastic Kate M Colby & to those authors who took part, giving their time to answer our questions & promote the tour.

Read all about it here: http://katemcolby.com/2016/02/26/the-2016-2k-indie-book-tour-archives/

 

 

Two Indie Authors for the Price of One

The last couple of days of our indie book tour and an interview with fantasy writer Lori MacLaughlin

http://katemcolby.com/2016/02/24/the-2016-2k-indie-book-tour-lori-l-maclaughlin/

Oh and erm me!

http://katemcolby.com/2016/02/25/the-2016-2k-indie-book-tour-kate-evans/

Indie Author: Wendy Ogilvie

Write like nobody is going to read it then edit as though someone else wrote it, good advice from our indie author of the day:

http://katemcolby.com/2016/02/23/the-2016-2k-indie-book-tour-wendy-ogilvie/