Category Archives: Inspirations for writers

Writing Tips: Voice

I have previously blogged on ‘voice’, so some of this may be a repeat for some of my readers. However, I am adding to my previous thoughts.

I think there are two aspects to voice for a writer. Firstly there is the writer’s voice. This might include (among other aspects) choices as to plot or point of view or language, structural quirks, an outlook on the world and/or future. In some ways this is like the voice of an actor. There are different types of actors. I watch a film with Michael Cain in and I know I am watching Michael Cain. On the other hand, one year I saw three films starring Daniel Day-Lewis and it could have been a completely different actor in each, so effectively did he morph into the characters. I think writers are the same. For me, Colm Tóibín is more of a Michael Cain, while Louise Doughty is more of a Daniel Day-Lewis.

Then, if a writer is creating fiction, there are the voices of the characters. Here I do believe a writer should strive for diversity, which must mean going beyond their own experiences.

One of the narrative characters in my Scarborough Mysteries novels is Theo Akande – young, black, gay, male. What is a fifty-five year old white woman doing writing in a young, black, gay, male voice? There has been some suggestion that this disjunction is one reason why it has not been picked up by literary agents. Perhaps it smacks of appropriation or colonisation. There is a good point here, there are not enough young, black, gay voices out there and publishers should be focusing on promoting them rather than a voice created by me. I do get that. And sometimes I do feel nervous that I’m not getting Theo ‘right’ in some way.

I was cheered slightly by an interview with Bonnie Greer which I heard on the excellent podcast: https://www.thelastbohemians.co.uk/. Greer said we are, after all, from the same species. She also said don’t be an artist if you want to be safe.

Theo evolved over several novels (unpublished & published). Initially he was the ‘sane’ counterweight to Hannah’s descent into depression. He has faced prejudiced and bullying and has many reasons to feel aggrieved, but he maintains his more balanced view of the world because of the ‘secure base’ (à la Bowlby) of his upbringing. I believe Theo is more unlike me because of this than because of his other attributes. I have a very bleak view on life. I also wanted him to be different from the many ‘cops with hang-ups’ which are out there in contemporary fiction, while also having his vulnerabilities. He is more a Peter Wimsey (DL Sayers) than a Rebus (Ian Rankin).

Whether readers will be content with my depiction of Theo is up to them. However, as writers, it is worth considering how we come to characters who are very different from ourselves. I have several suggestions. Firstly, writers need big ears for listening. We also need curiosity. When we meet someone, we need to be asking questions and listening to the answers. The ‘overheard’ is also a great source. Secondly, we research through reading, TV, radio, internet, social media, interviewing… Thirdly, I come back to what Greer said about us all being the same species. At a very basic level, we all have the same impulses to want to be loved and respected and have a sense of purpose. How we might try and gain love, respect and a sense of purpose will vary, more, I believe, by nurture than by nature, though genes must play its part. I only have to look at me and my siblings to understand that. Fourthly, characters develop if we writers allow them to. Planning is often useful, but not if it gets in the way of characters bouncing off each other and off what is happening to them. As with real life, characters behave differently, and are changed, because of what is going on around them.

Finally, as a writer, it is important to believe that all human behaviour is possible. For me, I want all my characters’ behaviours/feelings to stretch back to those fundamental needs of love, respect and sense of purpose. I suspect I would not be able to do great violence to another person, I am far too squeamish and fearful. But I wanted to write from the point of view of someone who could and created Max in my short story Adrift (still available on Amazon somewhere). I feel I managed to capture a mindset which could allow extreme violence and rationalise it. That’s not saying I believe what Max did was right, only that he thought it was right.

What is your experience of creating character and voice? Have you deliberately set out to write a character very different from you?

Midsummer Magic

It is the Summer Solstice. Yes it is! I always feel midsummer comes too early at these latitudes. I have barely got my shorts on. However, midsummer it is.

Why not give yourself permission to give your creative spirit some time to play and let the midsummer magic sink in.

Scarborough lighthouse at dawn. Mark Vesey 2019

If you haven’t read it already, take a moment to jump back to a previous post: https://bit.ly/2RqqBKn

Now look at these amazing photos – or maybe you have one of your own – and do some free writing.

Scarborough beach huts at dawn. Mark Vesey 2019

Write freely for about ten minutes. Perhaps leave it for a while (take a walk or do some breathing/stretching) then scan through and pick out five or six words, sentences or phrases which seem interesting. Spend 30 minutes playing around with these. Perhaps you will put them down the page like a poem, adding in other words/phrases as necessary. Perhaps you will see if they will lead you into a 100 word narrative which goes across the page.

It doesn’t matter what you end up with. The main thing is to play and enjoy.

If anyone does this and feels like doing so, feel free to put what you’ve done in a comment so it can appear below this post.

Thank you!

 

A Writer’s Toolkit: Getting Started

However much I ignore it, the New Year does bring with it the idea of new possibilities and opportunities. It feels like a time to reassess, perhaps, and try new things. Maybe it is the moment to start or re-invigorate your writing?

This year, I plan to do a series of posts called A Writer’s Toolbox which aims to give anyone the impetus to get on with the writing they want to do. These posts will be interspersed by my usual musings on being a writer, plus some posts by guests. I have some exciting ones already lined up. But if you are a writer and would like to contribute a post, please do get in touch. There’s no money, no glory and it won’t change your life, however, if you would like to give it a whirl, email me on kateevans@tinyonline.co.uk

Igniting or re-igniting the spark
At the risk of sounding un-empathic, it sometimes bemuses me when people tell me they want to write. I wonder why they are not doing it. On the face of it, writing is one of the easiest creative arts to ease into. There’s no need for any special equipment or even much space. If you can put one word in front of another down on paper, then you can write.

So if you want to write, and you are not doing so, then the first question to ask yourself is what is getting in the way of me writing? Perhaps spending ten minutes writing about this should be your first piece of writing. Over years of writing, running writing workshops and being around writers, the general things which get in the way of writing are:

  •     Finding the time within your life. To start with it doesn’t have to be a lot, perhaps as little as ten minutes a week. But, like doing anything, it’s about carving out the space to focus on what you want to do.
  •      Other pressures, such as earning money or looking after children/other family members. This is obviously a tough one, but needs to be negotiated and balances and boundaries found.
  •       Giving yourself permission. Sometimes it is ourselves which get in the way. Negative thoughts such as: ‘I’m not good enough’; ‘what’s the point in this?’ ‘Everyone will laugh at me.’ My advice is, as far as possible, don’t get too hung up on the why or the end product or on what you might imagine other people thinking and saying. Writing is first and foremost a pleasure for ourselves. If it becomes something else – something to share with an audience, for instance – that is a bonus. It is not necessary to start out with the idea of what you are going to write. The first exercise is to put one word down on the paper and then another while setting your critical voice(s) to one side. It can be a struggle. So don’t beat yourself up if at first you don’t succeed.
  •       What is your motivation? If it’s to make money, then these posts are not for you. If it’s to explore your world through writing and develop your creativity, then read on.

My writing journals

Getting Started
Buy a writing journal, this is a pad of paper or notebook which you will only use for writing creatively in and no-one else will use or look at. Personally I prefer something with strong paper, a decent cover and no lines. Make sure you have some pens. Decide on an achievable amount of time that you can put aside for writing and write a positive statement in the front of your journal: ‘I will spend xx minutes writing every xx.’

Take a walk, preferably somewhere green and open. Sit down for ten minutes and write as freely as you can. Do this on a regular basis.

Begin to collect inspirational prompts eg postcards, images of different kinds, snippets from the paper, music, pebbles, buttons, scraps of material, flowers, herbs, small objects…. Take one of these up, examine it, and write for ten minutes as freely as you can.

After each ten minutes, close your writing journal. Do not re-read. Do not critique. Leave what you have written to ferment and marinade.

As far as possible, keep to a schedule of these ten minute ‘sprints’ from prompts (such as a walk or an object or an image or a piece of music) for a month. Then review. Is there anything in what you have written you feel particularly fond of? Then underline it. Was there a particular prompt which worked better than others? Perhaps use this more often.

Continue with a similar schedule for another month and review again. By this time, you may be getting a clearer idea of something you want to develop further. Or perhaps not. If not, continue with the sprints until something emerges.

NB: writing in short uncritiqued sprints from a prompt to get started in writing is a method used by many writer. I first came across it in ‘Writing as a Way of Healing’ by Louise DeSalvo and ‘The Artist’s Way’ by Julia Cameron.

Be Inspired!

I was going to write a considered post about Wilfred Owen and Edith Sitwell. Wilfred Owen was killed on the 4th of November 1918, almost a hundred years ago and seven days before the Armistice. His poetry still haunts us today with his depictions of the horrors and waste of war. Edith Sitwell (daughter of Scarborough) was instrumental in having his first collection published after his death and it is mainly thanks to her that we can read his poems today. However, since I have got my nose stuck into rewriting my fifth novel, No Justice, I haven’t got the creative energy to do anything else considered. So you can catch up with Edith and Wilfred in Richard Greene’s excellent biography Edith Sitwell: Avant garde poet, English genius (https://amzn.to/2zhuSDE)

Meanwhile, I invite you to be inspired by the changing seasons. Go out for a walk in some nature if you can. Notice the nature around you, open all your senses to it. Also notice what is going on in your body and your emotional state. I say notice, do not judge, merely notice. Then take fifteen minutes to free write – write quickly without thought to purpose, construction, spelling etc. Unhitch your internal critic as much as you can. If you want to, use this free writing as the basis of a short poem or a piece of flash fiction.

Feel free to ‘publish’ it in the comments section of this post, I would be interested to read what comes out. But make it short!

Here’s one I prepared earlier:

Aspects of Autumn

Season of mellow mists and after damp,
joint between fecundity and decay,
you’re the rusted hinge, the balanced moment
before summer green becomes winter grey.
Your turned leaves are brazen in their dying,
firelit, their brassy tones trumpet their end,
they only fall to nest the ripening
kernels, torn from their cradles by the wind.
Your clods of decomposing foliage
remind us of our oozing hours,
your fruitfulness recalls our barren endeavours
to do, to strive — vanquish the final toll.
So then, only let your splendour fill us —
allow it to give us pause. Let us be still.

 

#1 A Photograph

Writers can take inspiration from anywhere. Look at a photograph and imagine you are inside the image: write about what you can see, smell, taste, feel, hear. Then imagine you are something (not a person) within the photograph and write from that point of view using the first person ‘I’. As that ‘I’ what are you: feeling inside; thinking; hoping for; scared of; frustrated by? Take no more than 20 minutes to do this. Then see if you can distill down what you have written to five lines.

Here is a photograph. If you want, you can post your five lines to me via a comments box. I’ll be happy to hear from you.

signposts