The RA mid-Summer Exhibition, Final Day: Sun

15cmx10.5cm. Watercolour pencil & oil pastel on paper.

The inspiration for this piece is the mural by Edvard Munch which I saw in Oslo several years back. It is huge, whereas my image is small. Munch’s sun is exuberant, a stark contrast to his many more sombre and tortured images. Using the sun as a symbol of hope is perhaps trite. I do want to believe we will come out of this pandemic wiser and kinder. I am not sure I can believe it. I am not sure whether the sun is rising or sinking.

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

 

The RA mid-Summer Exhibition, Day 9: We are Inter-species

Photo. Original image: A4. Acrylic & collage on paper.

 

Sometimes things go wrong… I have failed to upload my track, so this is the text:

‘I did this collage in March. I wanted to make a statement about how we humans are part of a delicate ecosystem formed with other animals, plants, the earth… and we ignore this at our peril. Since then I have become saddened at the way our own species appears to have become increasingly divided and factious. I want us to celebrate our diversity and delight in our differences. I want us to call out injustices. I want us to remember we share 99.9% of our DNA. We are the same family. We are the same species.’

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 8: See you in Scarborough

15cmx10.5cm. Watercolour pencil & felt tip on paper

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 7: Love Matters

15cmx10.5cm collage & oil pastels on paper

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

 

The RA mid-Summer Exhibition, Day 6: Over the Rainbow

15cmx10.5cm. Oil pastels and pen on paper

5th June 2020: death toll tops 40,000 in the UK

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 5: Zooming

15cmx10.5cm. Collage & pen on paper

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 4: Social Distancing

15cmx10.5cm water colour pencils, acrylic, pen on paper

Every day, it seemed, our language was being altered with additional vocabulary. ‘Social distancing’, the words not new, but when put together, creating a new concept. The inspiration for the image above came from the work of Madge Gill (1882-1961). ‘Gill made hundreds of beautiful coloured drawings, mostly of women, alone or in a crowd. With their blank, staring eyes and faint smiles, they might represent Gill’s stillborn daughter or the situation of women more generally.’ (Voyaging Out, British Women artists from suffrage to the sixties, Carolyn Trant, page 69.)

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 3: Birch Trees

15cmx10.5cm. Watercolour pencils & acrylic on paper

I have been reading Gossip from the Forest by Sara Maitland. In it she writes about the birch. She says the birch is called the ‘majestic sceptre’ of the wood. Druids claim it as the sister tree of the oak. It is used to make witches’ broom sticks and maypoles. As we went into ‘lockdown’ the Spring began to blossom all around us. The birch greened, their bark became dazzling in the light. The flowers burst forth. The birds sang. Here is a recording I made on one of my daily walks during that time.

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 2: Dear Mr Eliot

15cmx10.5cm Pen on paper. Text: first four lines from ‘The Burial of the Dead, The Wasteland’ by TS Eliot

 

The RA (Royal Avenue) mid-Summer Exhibition

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

There has been the counterbalance, in the form of acts of kindness and concern, cooperation and innovation. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, my small world has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA mid-Summer Exhibition, Day 1: The Map

Generally I dislike the mid-summer solstice. It always comes too early to be mid-way through the summer, to be mid-way through the year. This year it feels even more poorly placed. For me, the first half of 2020 has been weighted with a stew of emotions. First off, there was my contract with Constable for three novels – an ambition finally realised which I have held since I was 19. Then my father-in-law died. Then the pandemic descended. Then George Floyd was murdered. And all along, others have tragically died or been killed or been attacked or have had their lives turned upside down in one way or another.

I am aware that every day in every year is soaked in suffering for many, many people, not to mention for the earth and our fellow species. More often than not, my experience of this is mediated through the TV screen. Undoubtedly, this has continued even as I have hunkered down into my own ‘back-yard’.

Then there has been the counter-weight, in the form of acts of kindness and concern. Plus, perhaps, a shifting in our joint assessment of what is important and needs preserving or changing.

These last six months, it is my small world which has become more freighted than usual with a diverse swirl of feelings. I have responded to this with images and texts. I have decided to show them in the RA (Royal Avenue) online mid-Summer exhibition. There’s no doubt, that in some cases, the idea for the piece has outstripped my skills for realising it. However, for me, they do still capture an essence of a moment in the last half a year.

The RA (Royal Avenue) mid-Summer Exhibition, Day 1: The Map

A3. Acrylic & pen on paper.